#LORDE TENNIS COURT FLUME REMIX SELECTED FULL#

He’ll soon return to set to shoot a music video, but for the moment he’s still lounging in bed. When we catch up with Streten, he’s in Hobart getting his bearings. On other occasions, Flume’s creative director, Jonathan Zawada, stops by to discuss the visuals and thematic elements that will accompany his forthcoming album, ‘Palaces,’ due out on May 20th via the independent record label, Future Classic. It’s been very healing, especially after being away for so many years.” Some days it’s just Streten and his three-year-old Goldendoodle, Percy, tucked away in a quaint house on the East Coast, south of Queensland. But, I started growing my own vegetables and just living a wholesome existence. “I moved up to a part of Australia that I’d never lived in, and I kind of started a new life,” he explains with a sense of calm in his voice. There was just so much uncertainty.” Unsure of how California’s lockdown would play out, Streten took the same steps as many people did back in the spring of 2020: he packed up his suitcase and headed back to his homeland. “I was also worried about my parents getting sick or something. No one was vaccinated, there was panic, stores were empty, blah, blah, blah,” the accomplished producer trails off, communicating the exhaustion that comes with dwelling on those harrowing early pandemic days.

#LORDE TENNIS COURT FLUME REMIX SELECTED FULL#

It was just full on with the Covid and the Black Lives Matter protests. Though other circumstances in the world kick-started the hobby as well. With help from his mother, who is a horticulturist, he achieved his goal earlier than expected.

Tilling the eight-acre plot in New South Wales is a relatively new project for the Grammy-winning artist, though it is one he’s aspired to tackle for ages. I think you call them peppers? Then there’s some pumpkin, kale, spinach, all the herbs,” says Streten, casually rolling off the contents of his garden, during an early-morning call with DJ Mag. Harley Edward Streten, on the other hand, prefers a little peace and quiet. Flume fills arenas, smashes stage props with sledgehammers, and builds booming soundscapes with the high-tech gear that fills his ever-expanding studio. Grab the Ableton template (other Midi notes): Flumed Tennis - Ableton TemplateĬheck our Future Bass MASSIVE Preset Pack for those sounds: įlume Sound Design Massive, Flume Synth, Flume Synth Massive, Flume Preset Massive, Flume Midi Files, midi files. White Noise: An instance of Operator provides some missing white noise layers (update: we now put this together in a template and replaced all Operator sounds with NI Massive sounds).Sweepy Tops: A Massive with the wavetable 'carbon' adds in some sweepy scapes in higher frequencies to fill up the spectrum.+ Filter and attack automation (as in 3.) Support Lead: Another instance of Massive (with 3 PWM wavetables) is put in to add some more resonant feel.We're automating attack and filter cutoff.

is set into polyphonic mode and plays the complete chord. Main Lead: Another instance of the same Massive sound as 2.Monophonic Top Lead: We're using a combined wavetable of pulse and saw waves in Massive, creating a slightly gliding top layer.Sub-Bass: We're using an instance of Operator and select a sine wave for our sub bass frequencies (update: we now put this together in a template and replaced all Operator sounds with NI Massive sounds).After rebuilding the chords in the first step, we're dividing the sound into 6 layers in the second step: We're working with our Ableton Live 9 Suite version, Operator and NI Massive. We sat down to take a shot at recreating the sound of flume's lead synth in his remix for ' Lorde - Tennis Court (Flume Remix)'. Flume Sound Massive Synth - Designing the Sound from Lorde - Tennis Court (Flume Remix)

Lorde tennis court flume remix selected